First thought: Wasn’t Rembrandt’s Storm on the Sea of Galilee one of the paintings stolen from the Isabella Stewart Gardner Museum in a theft attributed to Myles J. Connor Jr.? (I read The Art of the Heist not too long ago, and remember it being described as one of the few landscape-type paintings that Rembrandt did.)
My second thought, though, is that I actually love to step inside art museums for the same reason I like to go hiking on my own or browse in a bookstore or library with no other particular where to be. It lets me learn, takes me to a world outside of my own, and gives me space to ponder (which, with me being an introvert, are all things I love). In fact, I myself am looking forward to checking out the Rembrandt’s Century exhibition at the de Young Museum in San Francisco…after the crowds there for Vermeer’s Girl with a Pearl Earring subside somewhat.
Two weekends ago, two of my girlfriends and I visited the newest exhibit at the Frist Center for Visual Arts: Rembrandt and the Dutch Golden Age. It was interesting to see the influence of Protestantism on art after the Netherlands broke from Catholic Spain, and while still life isn’t my favorite, there were lots of other pieces I really enjoyed.
The first pieces were Rembrandts, and they were my favorite. I especially liked his Visitation, which I had never seen before.
It also included one of his portraits of Christ (of which there are many). Not his most famous one, but a very nice one.
Two of my favorite Rembrandts that weren’t in the exhibit were his Storm on the Lake of Galilee and his Return of the Prodigal Son.
The way the Frist is laid out, it’s easy to find yourself in a completely different exhibit while in the…
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